Youth Leadership and the Youth’s Voice

When I started directing plays with youths in 1993, I always gave them the opportunity to comment on

This Is Me-An Adaptation

A former student, Kenni Nwajagu, wrote this script and made a movie before his untimely death from c

Dying To Live

In January 2011, we partnered with the McGivney Community Center and the Bridgeport Housing Authorit

 
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Youth Leadership and the Youth’s Voice

January 9, 2012 in Uncategorized

YMCA

Fekiane and Lezley

When I started directing plays with youths in 1993, I always gave them the opportunity to comment on the characters, the dialogue and how these characters delivered the lines.  At first, their responses were lukewarm, but after awhile, they felt safer to respond.  As I took their opinions seriously and used them in the scripts, their voices got louder.  As there voices got louder, the work got better, more intense and more passionate.  Then I started giving them more opportunities to make decisions about the bigger picture and what we were doing.  This has been my approach with kids for many many years.

Five years ago a mini-grant came to my attention from The Consultation Center in New Haven that permitted youth stipends for their participation and activities in the mini-grant.  I asked five students if they would like to write and direct a to be determined project for stipends.  They were adamant that they wanted to do it.  So we sat down immediately to write the grant together.  Out of that mini-grant came my first writers, directors and core leaders.  My group of participants (about 30) hosted and executed a youth forum with 50 other youths from throughout CT.  It was such a successful project.

I now incorporate stipends for the youth leaders because they showed me that they can WORK in the performing arts industry.  I can train them valuable skills, they can execute and they can earn some money.  And the parents appreciate that their kids are “working.”  Of course, evaluations are important.  The youth leaders can’t just get the stipend without setting goals and achieving those goals.  I’ll talk about that another day.

As a result of this experience, in 2011, 20 kids wrote, developed, produced and performed a great play, “Dying to Live.”  It was performed at the Downtown Cabaret Theater lending a great sense of professionalism.  The youths made a believer out of me.  They broke a glass ceiling for me.

I have seen the power of the youth’s voice with other youths.  By using their voice, they are empowered to deliver their message.  And when they deliver their message, they empower other youths with positive images.  It is the greatest model with young people.

It is my vision to have a building, with a full length neon sign outside, buzzing with creativity.  I envision visitors marveling at the colors, artwork and dreamy furniture.  While they wait for their appointment, they relax at the juice bar run by youths.  As they scan the space, they find that the entire building is run by youths.  When they enter the studio spaces, they see many different projects going on all driven by the youths.  Youth voice is so different from an adult voice.  I believe that the adults should be there to guide them and to help them learn the right principles.  But most of all, adults need to build a safe platform for them to dream and then trust them to create those dreams.

To me that is Youth Development.

DonnaSue de Guzman

YES IT TAKES LONGER!  AND YES THE ADULT HAVE TO LET GO AND HAVE FAITH THAT THEY CAN INDEED DO IT.  TO THIS DAY BEFORE I GO TO REHEARSAL OR CLASS I REMIND MY SELF TO TAKE A STEP BACK.

SEE WHAT THE KIDS ARE SAYING ABOUT YOUTH LEADERSHIP

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This Is Me-An Adaptation

December 20, 2011 in productions

Cinefest

Cinefest

A former student, Kenni Nwajagu, wrote this script and made a movie before his untimely death from cancer.  We decided to carry on his legacy by adapting it to a stageplay.  We partnered with the Bridgeport Housing Authority to recruit youths from Trumbull Gardens and be part of this project.  We casted in November 2011 and started rehearsals December 2011.

PUT IT ON YOUR CALENDAR!

The first Performance will be at the Trumbull Gardens Multi-Purpose Center Friday March 30th,2012 at 8:oo p.m. details will be released soon.

We are hoping to schedule a performance at Fairfield University as part of Cinefest Fairfield in May 2012.

WATCH THE TRAILER

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Dying To Live

December 20, 2011 in productions

In January 2011, we partnered with the McGivney Community Center and the Bridgeport Housing Authority to work on a youth forum project.  20 youths participated for 5 months.  The youths talked passionately about bullying, teen pregnancy, racism and baggy pants and so they wrote this play.

donnasuedeguzmandyingtolive

Prego girls

During class, the kids developed situations around those topics and acted them out.  We explored different storylines for weeks to bring these topics to life.  Youth leaders would take turns typing out dialogue taken from improv sketches, print the script then act them out.  They would revise the script then act them out again.  Revise then act, revise then act.  You get the point.  The youths were driven to make the story realistic and the performance better every session.  It was well worth it.

We performed this play in June 2011 at the Downtown Cabaret Theater to rave reviews.  So much so that we’re doing it again in June 2012 at the DCT.

 

Watch The Trailer

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Youth Forum

December 20, 2011 in productions

Youth Forum

Youth Forum

Youth Forum

We’ve been doing a youth forum for the last three years based on the following model:  kids talking to kids about important topics revolving around a play.  The youths have been firm with us (the adults) that they do not want adult experts talking to them about some topic.  They said, “we will tune them out.” 

From January to June 2011, as the youths were writing Dying to Live, they were also working on short scenes to involve the youth audience.  Their topics were bullying, teen pregnancy, racism and baggy pants.  They used improv and theater exercises to develop skits for each category.  They researched facts related to these issues and built dialogue around the skits.  Their goal was to develop 15 minute breakout sessions after performing Dying to Live. 

They came up with a dating game show to talk about racism, a couple of bullying skits, a sketch showing two teen friends’ lives change when one got pregnant, and a comical dance number with baggy pants around their knees.  Each category typically had an advanced youth leader hosting the segment.

The 2011 Youth Forum was performed at the Downtown Cabaret Theater with 275 Bridgeport elementary and middle school children attending.  As the lights came down, the audience was loud and disruptive.  They were screaming.  When our youths took the stage, the audience just could not contain themselves.  We were worried that our youths would break character and changed the dynamics of the forum.  But our youths stood their ground, took command of the audience within two minutes and held their attention for the next hour and a half.

The Forum was a success.  Our youths created such a frenzy that after the event, the lead actors were signing autographs for a half hour.  The Youth Forum will be repeated, with better breakout sessions, along with Dying to Live in June 2012.

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Trip to NYC

December 19, 2011 in Special Events

trip to NYC

Trip to NYC

Bridgeport to Broadway.

 

35 of us left Bridgeport Saturday morning at 7:15 a.m.We took in shopping at Times Square early in the morning when the crowds weren’t bad. Some of us even ate pizza. By 10:00 a.m. we loaded into one of the finest studios in NYC for a master Broadway workshop.

We warmed up with theater exercises and games that lead into a critique session of our youth’s sketches on bullying, racial profiling, and youth and police relations.

They wrapped up the session up with a Q & A from one of the cast members of the Billy Elliot show.  At lunch, we sat down to a fantastic Dallas BBQ where we were able to have lunch all together.

After lunch we took in the Matinee performance of Billy Elliot which was inspiring to us all.  We were so lucky it wasn’t raining or snowing or sleeting or freezing.

Check Out Our Video!

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Spanish Soap Opera

December 19, 2011 in productions

Spanish Soap Opera

Spanish Soap Opera

Spanish Soap Opera

The Spanish Soap Opera was created in a car by two students on the way home from class one night. They suggested we do some improv around it the next day in class. It turned out to be a play. The material just kept coming in from the kids.

We developed a whole diction exercise to learn the accent. Everyone was doing the Spanish accent in a matter of weeks. The more fun they had creating scenes, the more hysterical the comedy got. In the very first scene, the lead actor made his car keys the central part of the scene.

We ended up making the keys travel through the whole comedy and become the most important prop.  In one of the shows we did, an actor forgot to put them in their place on stage at the beginning of the show.  The other actors were throwing keys clear across stage so they wouldn’t miss a cue.
We had a lot of parents stay and watch the scenes we were working on.

When the comedy was finally presented to a crowded room full of parents, the comments were , “We want more!”

Ricardo played by Jack Ruiz

Actor Jack Ruiz

 

 

Veronica played by Leandra Brooks

Veronica played by Leandra Brooks

 

 

 

 

 

 

 

Victoria played by Liliana Ortiz

Victoria played by Liliana Ortiz

 

 

 

Carmen played by Clarivel Davis

Carmen played by Clarivel Davis

 

 

 

 

 

 

 

 

 

Pablo played by Ben Saldana

Pablo played by Ben Saldana

 

 

Miguel played by Luis Rivera

Miguel played by Luis Rivera

 

 

 

 

 

 

 

 

 

Josephina played by Kaniya Dangerfield

Josephina played by Kaniya Dangerfield

 

Homeless Guy played by Sam Panton

Homeless Guy played by Sam Panton

 

 

 

 

 

 

 

 

 

 

Extra parts Saphire Panton

Extra parts Saphire Panton

 

 

 

The Kitchen Scene

The Kitchen Scene

 

 

 

 

 

 

 

 

 

Ricardo and Victoria

Ricardo and Victoria

 

 

The Cast of Spanish Soap Opera

The Cast of Spanish Soap Opera

 

 

 

 

 

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Johnny Cinders Goes to Hollywood

August 11, 2011 in productions

The Cast of Johnny Cinders

The Cast of Johnny Cinders

A Modern Day Fairy Tale.

Johnny Cinders

Johnny Cinders

Johnny Cinders is an adaptation of Cinderella set in Hollywood.  Johnny is a janitor for I.M.E. casting agency.  He gets a chance to get the role of a lifetime co-starring with Jennifer Charming.  But he has no means until three fairy god mothers, Nicki Menage, Selena Gomez, and Rihanna give him the moves, clothes and the ride to get him to the big audition.

It is a sweet, funny and touching comedy with contemporary music.  (Running time 45 minutes)

Johnny was adapted and written during the 4-week Summer Performing Arts Program 2011.  It turned out to be a lot of rewriting to fit what the youth wanted.  They divided into five writing groups and were responsible for different parts of the play.  The new adaptation also required a lot more music and choreography than what we started out with.  A few days were also designated for creating props, five limo cars out of cardboard and spray painting sets.  We performed outdoors at a pavilion next to the Gary Crooks Memorial Center.  For a whole week, we dragged all our sets and props in and out under the pavilion and ran long (300 feet) extension cords so that we could rehearse with music.

At showtime, we had a slight breeze blowing the backdrop banners.  A sound company body mic’d the lead actors along with two handheld mics so we can hear the dialogue.  And we had Vin Baker, former NBA star, as a special guest performer.  The production was a hit and already we are being asked for a repeat performance next summer.

Check Out The Trailer!